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Datos del documento

Original, título
Concordia tra la fatica e e la quiete nell’orazione
Original, fechas
1ª edición: 1680.
Lugar de publicación
Madrid
Editor/Impresor
Pantaleón Aznar (impresor)
Fechas
1767 [edición]
Edicion
5ª ed.
ISBD
Concordia entre la quietud, y la fatiga de la oracion / propuesta por el padre Pablo Señeri, de la Compañia de Jesus, en la respuesta de una carta a una persona religiosa ; y Vida del Venerable siervo de Dios el Padre Pablo Señeri ... escriviola en lengua ytaliana el padre Joseph Masei, de la misma compañia. — Nuevamente corregidas todas las traducciones conforme al original italiano Nuevamente corregidas todas las traducciones, conforme al original italiano, y enmendados muchos yerros.... — En Madrid : en la imprenta de Pantaleon Aznar, calle del Arenal, casa del... Duque de Arcos, 1767. — [16], 288, 3], 1] p. en bl. ; 4º (22 cm). — Sign.: calderón]8, A-Z4, 2A-2N4, calderón]2.-Error tip. de pag., en p. 219 consta 261. Errores tip. de sign., en calderón]5 consta calderón]3, en calderón]6 consta calderón]4 y en 2C2 consta 2C3.-A partir de p. 109 texto a dos col.
Verificada
Ejemplares
  • BULa Laguna, Biblioteca General: AS-1591 (Ex-libris ms.: Stº Domingo de La Laguna)
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  • Alcalá de Henares. Biblioteca Complutense de la Compañía de Jesús de la Provincia de Toledo: AM/960 (Enc. perg. -- Ex-libris de José María Fernández, presbítero, ex-libris de la condesa de Bornos y sello del colegio de Ntra. Sra. del Recuerdo de Madrid)
  • Murcia. Biblioteca de la Provincia Franciscana de Cartagena: 4.511 (Enc. perg.)
Observaciones

Véase registro 4180

Repertorios
Beccaria, 1229

Traductor

Anónimo -

Otras traducciones

Autor

Segneri, Paolo 1624 - 1694

Observaciones:

After St. Bernadine of Siena and Savanarola, Segneri was Italy's greatest orator. He reformed the Italian pulpit. Marini and the Marianisti with the petty tricks and simpering graces of the "Seicento" had degraded the national literature. The pulpit even was infected. Segneri at times stumbles into the defects of the "Seicentisti", but his occasional bad taste and abuse of profane erudition cannot blind the impartial critic to his merits. The "Quaresimale" , "the Prediche", the "Panegyrici Sacri" (Florence, 1684, translated by Father Humphrey, London, 1877), stamp him as a great orator. His qualities are a vigour of reasoning, a strategist's marshaling of converging proofs and arguments, which recall Bourdaloue; a richness of imagination which the French Jesuit does not possess; a deep and melting pathos. He is particularly cogent in refutation; to harmony of thought and plan, he unites a Dorian harmony of phrase; he is full of unction, priestly, and popular. He has two sources of inspiration, his love of God and of the people before him. To his oratorical powers, he added the zeal of an apostle and the austerities of a great penitent. All this readily explains his wonderful success with people naturally emotional and deeply Catholic. Entire districts flocked to hear him; extraordinary graces and favours marked his career. His triumphs left him simple as a child. In his theological discussion with his superior-general, Thyrsus Gonzalez, who was a firm champion of Probabiliorism, he combined the respect and obedience of the subject with the reasonable and manly independence of the trained thinker (cf. Lettere sulla Materia del Probabile" in vol. IV of "Opere", Venice, 1748). Segneri wrote also "Il penitente istruito (Bologna, 1669); "Il confessore istruito" (Brescia, 1672); "La Manna dell anima" (Milan, 1683, tr. London, New York, 1892); "Il Cristiano istruito" (Florence, 1690). His complete works (cf. Somervogel) have been frequently edited: at Parma, 1701; Venice, 1712-58; Turin, 1855, etc. The "Quaresimale" has been printed at least thirty times. Some of Segneri's works have been translated into Arabic. Hallam criticizes Segneri unfairly; Ford is more just in his appreciation.